◆ Mold library
Clay tool STL files
Printable polymer clay earring cutter sets, texture rollers and maker stamps for polymer clay, air-dry clay, pottery and terrain.
◆ Mold library
Printable polymer clay earring cutter sets, texture rollers and maker stamps for polymer clay, air-dry clay, pottery and terrain.
109 designs · print times from 35 min
Clay
The Japanese blue sea wave, seigaiha, for pottery and clay crafts. Rows of overlapping fans of concentric arcs.
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Drifting peacock eye feathers for polymer clay and pottery. An eye of rings at each tip and fine barbs along the shaft.
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A field of little daisies for polymer clay, pottery and fondant. Long petals around a domed centre, in three sizes.
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Big split monstera leaves for planters, mugs and boho clay. Slots cut in from the edge and holes along the midrib.
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Six-armed snowflakes of three sizes for Christmas ornaments and winter pottery. Branched arms and a flurry of small flakes.
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A two-piece plaster mold for slip casting a 114 ml espresso cup. Print the housings, pour the plaster, cast.
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Sprigs of spiky holly with clusters of berries for Christmas clay and pottery. Pairs of leaves, three berries each.
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Flying bats with scalloped wings and crescent moons for Halloween clay and pottery. A spooky flock, every bat at its own tilt.
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Trails of dog paw prints for pet lovers. A pad and four toe beans per print, walking across the clay.
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Sakura cherry blossoms for porcelain, pottery and polymer clay. Five notched petals each, with loose petals drifting between them.
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Scallop shells, starfish and snail shells for coastal pottery and beach crafts. A beachcomber's handful, scattered.
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A bold leopard print for polymer clay earrings and statement pottery. Broken rosettes and solid spots.
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Bold, wavering zebra stripes for polymer clay and pottery. Stripes that swell, thin out and wander.
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Round mandala rosettes for pottery, polymer clay and soap. Rings of petals and dots round a flower centre.
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A two-piece plaster mold for slip casting a 365 ml straight mug body. Add your own pulled or cast handle.
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Bands of three-ply twisted rope for nautical pottery and clay trims. Diagonal plies between flat grooves.
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The tumbling blocks optical illusion for pottery and polymer clay. Isometric cubes, each face at its own depth.
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Bold chevron zigzags for modern pottery and polymer clay. Smooth bands alternate with ribbed ones.
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A terrazzo of angular chips for modern pottery, coasters and trays. Chips of every size, each at its own depth.
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Coiled ammonite fossils in pitted stone for pottery, terrain and kids' crafts. Ribbed whorls in a log spiral.
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Fan-shaped ginkgo leaves on long stems for pottery and polymer clay. Fine veins out to a notched, wavy edge.
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Scattered hearts of three sizes for Valentine's Day, weddings and gifts. Two depths, with little dots between.
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Long, thin field stones stacked without mortar, with tight dark joints. Field walls, sheep pens and farm terrain for wargaming and dioramas.
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A two-piece plaster mold for slip casting a 115 mm bud vase: round bulb, long neck, rolled lip.
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Rectangular slabs of five sizes in the Roman opus laying pattern, with narrow joints. Patios, plazas, temples and courtyards in clay.
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Corrugated roofing sheets with overlapping seams, nail heads and a few dents. Shacks, sheds, barns and post-apocalyptic scrap terrain.
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European four-in-one mail: rows of round rings, each through four neighbours. Armour for cosplay props, sculpts, bases and polymer clay.
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Two bands of Celtic plaitwork per repeat, three strands over and under, between raised borders. For pottery, polymer clay and fondant.
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A screen of round bamboo canes side by side, with nodes at staggered heights and fine fibres. Pottery, planters and Asian-style terrain.
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Big dressed ashlar blocks with chiselled margins and rough, rock-faced centres. Castle keeps, city walls and fortress towers for tabletop terrain.
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A broken rock face of angular blocks and flat, chipped facets. Cliffs, cave walls, rocky outcrops and mountain terrain for tabletop games.
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Square worn flagstones on a grid, some cracked and some with a broken corner. Dungeon and crypt floors for tabletop games.
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A two-piece plaster mold for slip casting a 116 mm matcha bowl (chawan) with a small foot.
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Corky bark plates split by deep, forking furrows, like an old oak. Tree trunks, stumps and wooden terrain, or a woodland texture for pottery.
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Raised lozenges in the crossing rows of steel tread plate. Industrial floors, sci-fi decks, truck beds and walkways for tabletop terrain.
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Courses of straw bundles, each overlapping the one below with a ragged edge. Thatched cottages, barns and village roofs for tabletop terrain.
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Squares of three flat strips, alternately across and along, each dipping under its neighbours. A woven basket texture for pottery, polymer clay and fondant.
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Round logs stacked with chinking between them, with bark grain, knots and long checks. Log cabins, palisades and frontier buildings in clay.
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Crumbling plaster with the brickwork showing through, for ruined buildings on the tabletop. Ragged holes, cracks and bullet pocks.
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A frozen lake broken into angular ice floes, for winter terrain and miniature bases. Narrow cracks, hairlines and an impact star.
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Tudor timber framing with daub panels, for medieval houses and taverns on the tabletop. Rails, studs, braces and pegs.
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S-shaped clay pantiles in lapped courses, for roofs on tabletop houses. A wide trough and a rounded roll on every tile.
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A three-piece plaster mold for slip casting a fluted 323 ml tumbler with twelve crisp flutes.
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Lapped steel plates with rows of domed rivets, for steampunk, industrial and sci-fi terrain. A few dents in every sheet.
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Slotted deck plates and mesh grilles in raised frames, for sci-fi and industrial terrain. Bolt heads at every corner.
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Rows of skulls stacked between courses of long bones, for crypts, catacombs and necromancer lairs. An ossuary wall, seamless all round.
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Smooth, oval river pebbles packed into sand, for garden paths, riverbeds and shores. Every size, lying at every angle.
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Broken, angular stones heaped on stony ground, for ruins, scree slopes and battlefields. Blocks, stones and gravel.
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An ancient floor of octagonal flagstones and square inlays, cracked and broken, for temples and tombs. Carved borders, worn edges.
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Five arch earring cutters from 15 to 35 mm for polymer clay. Each one punches its jump ring hole too.
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Overlapping keeled dragon scales for polymer clay, cosplay and tabletop monsters. Rolled on seamlessly in one pass.
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Five teardrop earring cutters, 20 to 40 mm, for polymer clay. Every cutter punches the jump ring hole.
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Small almond-shaped reptile scales for polymer clay jewellery, leather-look pieces and fondant. A seamless snakeskin texture.
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Six round polymer clay cutters, 10 to 30 mm: stud tops, connectors and round dangles in one print.
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A three-piece plaster mold for slip casting a hexagonal bottle vase: sloped shoulder, hex neck.
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Six-petal lace rosettes on a fine diagonal net, for pottery, polymer clay and fondant. Real lace, in a roller that never wears out.
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Four organic earring cutters for polymer clay: a drop, a pebble, a bean and a wavy drop, 30 to 36 mm.
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Round dimples in staggered rows with small dots between, for pottery, polymer clay and fondant. A playful dotted texture.
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Three rainbow earring cutters, 25, 30 and 35 mm wide, for striped polymer clay rainbows.
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Deep hexagonal cells with standing walls, like real comb. For pottery, polymer clay, fondant and sci-fi terrain.
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Four leaf earring cutters for polymer clay: olive, eucalyptus, ginkgo and a heart-shaped leaf.
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Deck plating with panel lines, rivets, vents and hatches, for sci-fi tabletop terrain. Rolls starship floors into clay or foam.
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Staggered courses of slate shingles with keyways and worn corners, for tabletop terrain and dollhouse roofs.
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Four geometric earring cutters for polymer clay: hexagon, diamond, half circle and triangle.
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Dried mud split into curled plates by deep, irregular cracks. Desert, wasteland and ruins terrain for tabletop games.
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A celestial earring cutter set for polymer clay: a crescent moon, a sun, a star and a sparkle.
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A classic basket weave for pottery slabs and clay crafts. Blocks of three flat reeds, each block turned against its neighbours.
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A round maker's seal: HANDMADE and WITH CARE round a star, for pottery, polymer clay and leather.
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Four Halloween earring cutters for polymer clay: a ghost, a bat, a pumpkin and a coffin.
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Deep, branching bark furrows for woodland pottery and terrain. Plated ridges broken by cross-cracks, like an old oak.
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Four Christmas earring cutters for polymer clay: a tree, a bauble, a candy cane and a star stud.
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Boho rattan cane webbing for polymer clay earrings and pottery. Octagonal openings between woven cane strands.
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A three-piece plaster mold for slip casting a ribbed 72 mm Christmas bauble with its hanging neck.
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MADE BY HAND on two lines in an oval: a small stamp for pottery, polymer clay and leather tags.
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Four Valentine earring cutters for polymer clay: a heart dangle, a heart stud, an X and an O.
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A coarse burlap weave for rustic pottery and farmhouse decor. Every thread over one and under the next, a little uneven.
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Six 12 mm stud earring cutters for polymer clay: circle, heart, star, flower, moon and square.
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Puffy quilted diamonds with stitched seams, for fondant cakes and clay. The pillowed look of a quilted handbag.
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HANDMADE in bold capitals in a small bordered rectangle: the classic mark for pottery and polymer clay.
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Overlapping art deco fans with radiating ribs, for pottery and clay jewellery. A 1920s scallop pattern, seamless all round.
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Moroccan quatrefoil tiles outlined in deep grooves, for pottery and clay. Four-lobed panels with a raised diamond between them.
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Bands of the classic Greek key meander for pottery rims and clay borders. A continuous groove, seamless all the way round.
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Rings of ripples spreading from raindrops, for pottery, soap and clay. Calm, round waves that meet and fade into each other.
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Wind-blown sand ripples, gentle on one side and steep on the other, for pottery and terrain. They fork and wander like a real beach.
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Rough, pumice-like lava rock full of round pits, for pottery, planters and terrain. Every pit a different size.
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Flowing wood grain that bends round knots, for faux bois pottery and clay. Seamless, so a whole slab reads as one board.
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A four-piece plaster mold for slip casting an eight-lobed pumpkin votive or jar, 110 mm across.
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Fern fronds pressed into clay like a botanical print, for pottery, soap and jewellery. Tapering leaflets on gently curved stems.
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Five-pointed stars in two sizes and a scatter of star dots, for cookies, clay and pottery. A night sky all the way round.
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A triangular grid of low faceted pyramids for modern pottery and clay. Each face catches the light at its own angle.
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The contour lines of an invented landscape, for pottery and gifts. Even grooves winding round hills and valleys.
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Overlapping hammer blows like beaten copper, for clay jewellery and pottery. Smooth dimples meeting in soft ridges.
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Rows of crocodile scutes with deep creases between them, for faux leather clay and props. Each scute a raised, rounded tile.
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Maze-like meanders like brain coral, for ocean pottery and clay. Ridges and valleys of even width, winding everywhere.
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A four-piece plaster mold for slip casting a low-poly faceted vase, 122 mm tall with triangle facets.
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Small square mosaic tesserae set in grout, for pottery and clay. Each tile a slightly different size, height and angle.
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Rounded cobbles with deep joints, for tabletop terrain. Rolls a seamless cobbled street into air-dry clay, foam or polymer clay.
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Running-bond brickwork for dungeon walls and dioramas. Old, uneven bricks with chipped corners, rolled seamlessly into clay or foam.
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Large, flat paving slabs in random shapes with wide joints. A garden path, a castle floor or a temple courtyard for tabletop terrain.
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Floorboards with staggered joints, grain, knots and nail holes. Rolls tavern floors, ship decks and bridges into clay or foam.
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Hexagonal floor tiles with bevelled edges and grout lines. For sci-fi and fantasy floors, miniature bases and pottery.
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Rough coursed stone for castle walls, ruins and dungeon terrain. Uneven blocks with bulging faces and wandering joints.
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Cable knit sweater texture for fondant, clay and pottery. A rope cable between columns of knit stitches, rolled seamlessly.
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Classic herringbone for pottery, polymer clay and terrain. Blocks three times as long as they are wide, in a zigzag like a parquet floor.
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A four-piece plaster mold for slip casting a four-lobed cloud vase that eases into a round mouth.
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Trailing vines with pressed leaves, for pottery and polymer clay. Every leaf shows its veins, like a real leaf pressed into the clay.
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Flowing wave ridges for pottery, polymer clay and fondant. Rounded crests that roll and drift like the surface of the sea.
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Rows of four-sided pyramids, a crisp faceted diamond texture. For pottery, polymer clay, fondant and sci-fi terrain.
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One handle, swappable pattern rollers. Print more patterns any time.
The earring cutter sets are made for polymer clay jewellery: graduated arches, teardrops and circles, organic, geometric, botanical and celestial shapes, and seasonal sets. Each cutter has a 0.8 mm blade, 14 mm tall, with a rim to press on, and the dangle shapes punch their own 3.2 mm jump ring hole in the same press. Roll the clay 2 to 3 mm thick, cut, and bake the pieces as your clay's packet says.
The texture rollers share one printed handle: print the fork handle and its two pins once, then print only the roller sleeve for every new pattern and swap it in seconds. Each roller is 30 mm across and 80 mm long with the pattern raised 1.5 mm, deep enough to press a clear texture into polymer clay, air-dry clay, fondant or craft foam in a single pass.
The terrain patterns (cobblestone, brick, flagstone, wood planks, hex tiles, stone wall) are made for tabletop scenery: roll air-dry clay or EVA foam, cut it to your grid and paint it. The others (cable knit, herringbone, leaves, waves, diamonds) are for pottery, polymer clay jewellery and cake work.
The stamps press a maker mark into clay before it is fired or baked, and into soft leather too. Every download is a zip with the STL files and a print sheet, and every design was made with a free generator, so you can change the pattern, the size or the text yourself.
Questions
Roll the clay to an even thickness first, dust it and the roller lightly with cornstarch, then roll across once in one direction with steady pressure. Going back and forth doubles the pattern. Polymer clay releases best when the roller is cool.
No. Every roller in this collection fits the same fork handle with two pins, which comes in each download, so you print the handle once. The roller sleeve has an 8 mm bore and turns freely on the pins.
Yes, that is what the cobblestone, brick, flagstone, plank, hex and stone wall rollers are for. Roll air-dry clay or EVA foam about 3 to 5 mm thick, let clay dry flat under a board, then cut, prime and dry-brush it.
For 2 to 3 mm polymer clay, yes: a 0.8 mm printed blade cuts a clean edge if you press straight down and lift, and dusting it with cornstarch stops sticking. Metal cutters are sharper on very soft clay; printed ones win on shapes and sizes you cannot buy, and on a punched jump ring hole.
Yes. Upload any seamless image to the free texture roller maker, choose the diameter, length and depth, and it builds the roller and a matching handle in your browser, ready to print.